Sandra Gibson reviews a compilation of quarantine creativity by 50 people: a concept from photographer Chaz Rudd who compiled and designed it, with proceeds going to MIND charity.
Colin Serjent reviews the new audio-visual installation by Mikhail Karikis, Ferocious Love, on at the Tate Liverpool until 22nd November.
Cassius James reviews two of the paintings by Simeon Solomon, on display at the Walker Art Gallery till 1st March.
Ashley McGovern reviews The View From The Top Of A Pyramid, the exhibition by Jacqui Hallum at the Walker Art Gallery on until 1st March 2020.
Neil Morrin reviews the Dead Pigeon Gallery, an exhibition of mixed media installations in a mid-terrace house in Anfield, open during November and December.
Samera Thalen reviews Real Work, the new exhibition at FACT that presents people’s stories about work that goes unrecognised, on until 6th October.
Samera Thalen reviews the exhibition of video and installation by Ericka Beckman and Marianna Simnett, on at FACT until 16th June.
Tracey Dunn reviews the exhibition of drawings by Nina Edge, on at the Unity Theatre until 27th July.
Joe Coventry reviews the art exhibition by Gabalau, which is at the Cafe 92° on Hardman Street until June 22nd.
John Owen reviews Remembering the Roma Holocaust, the exhibition of recently discovered photographs marking the 75th anniversary of the destruction of the ‘Gypsy Camp’ in Auschwitz.
Colin Serjent reviews Into The Detail, the photography exhibition by Simon Banks, on at the Arts Hub 47 Gallery on Lark Lane until 12th May.
Rob Harrison reviews Punk in the Picton, the Punk Rock 1976-1978 Exhibition on at Liverpool Central Library till 3rd March 2019.
Tom Bottle reviews the exhibition of photographs by John Davies, Saving Calderstones – Trees Under Threat, which was at the Output Gallery on Seel Street.
Sandra Gibson reviews the John Moores Painting Prize 2018, which is at the Walker Art Gallery until 18th November.
Joe Coventry reviews the Liverpool Biennial 2018 Festival Of Contemporary Art, which runs to 28th October.
Mostyn Jones reviews the exhibition at the Open Eye Gallery, Snapshot to WeChat: A Migration of Identity, part of China Dream, a series of events exploring the city’s historical links with the Chinese community.
Joe Coventry reviews the exhibition of collages by Kate Fallon-Cousins, which is at the Egg Cafe until 18th April.
Lisa Worth reviews the exhibition by the Singh Twins, Slaves of Fashion, on at the Walker Art Gallery until 20th May.
Sandra Gibson reviews the exhibition of artwork at the Tate Liverpool by John Piper, who is regarded as a pioneer of the British modernist movement in the Thirties.
Joe Coventry reviews Two, the exhibition by Pamela Holstein and Lucy Cecilia Pickavance at the Egg Cafe till 4th March.
Joe Coventry reviews Iconic, the exhibition of prints by Andrea Taylor at Headspace at the Egg Café until 10th December.
Minnie Stacey reviews People Are People, the art exhibition by Andy Smith on at The Arts Hub till 12th November.
Ritchie Hunter reviews the exhibition Red October People’s Gallery, public art with a revolutionary message, on display on Temple Street till 20th December.
Leslie Salome Soto Santillan reviews the exhibition In The Peaceful Dome, part of the events to celebrate the Bluecoat’s 300th anniversary year.
Sandra Gibson reviews the exhibition of work by Roy Lichtenstein which is at the Tate Liverpool till 17th June 2018.
Sandra Gibson reviews the exhibition at Tate Liverpool of the photographs of August Sander and the paintings and etchings of Otto Dix, Portraying a Nation: Germany 1919 – 1933.
Ritchie Hunter reviews the exhibition, Liverpool: A City of Protest, on at Constellations till 13th August.
Steve Lamb reviews the exhibition of photography Open 3: Affecting Change, on at the Open Eye Gallery till 17th September.
Samera Thalen reviews the exhibition How Much Of This Is Fiction, on at FACT till 21st May.
Samera Thalen reviews A Glimpse of Sunshine, the exhibition of work by Katarina Avotina on at the Egg Cafe till 16th March.
Ashley McGovern reviews the Jerwood Photoworks Awards 2015 exhibition, on show at the Open Eye Gallery until 18th December.
Ashley McGovern reviews KAPUT, the exhibition by Benedict Drew now on show at the Walker Art Gallery till 26th February 2017.
Ashley McGovern reviews the exhibition of linocuts by Picasso, which is at the Lady Lever Art Gallery until 8th January 2017.
Ashley McGovern reviews the photography exhibition by Jane MacNeil, on at Bold Street Coffee until 28th October.
JJ Schaer reviews the exhibition Casting Seeds, a retrospective of the work of Jamie Reid, on at The Florrie until 18th October.
JJ Schaer reviews Jarvis Cocker’s 20 Golden Greats exhibition, on at The Gallery Liverpool till 25th September.
Gayna Rose Madder reviews Anonymous, a photographic exhibition by David Hynes on at the Egg Cafe till 18th September.
Sandra Gibson reviews the John Moores Painting Prize 2016, which is at the Walker Art Gallery from 9th July till 27th November.
JJ Schaer reviews the exhibition Glitterarti / Banned In Birkenhead, which was banned from Birkenhead Visitors Park and then from Art Hub 51 due to complaints from the general public.
Joe Coventry reviews the Liverpool Biennial of Contemporary Art, taking in The Bluecoat, The Tate, the Royal Insurance Building, the Open Eye Gallery, the ABC cinema on Lime Street and the Cain’s Brewery.
JJ Schaer reviews Jimmy Cauty’s Aftermath Dislocation Principle Riot Tour, which is currently taking place in a shipping container behind The Florrie in Liverpool.
Tom Calderbank reviews the Art of Reggae Exhibition, on at Constellations, 35-39 Greenland Street until 15th June.
Joe Coventry reviews the Liverpool Arts Open Exhibition, on at Editions Gallery till 18th June 2016.
JJ Schaer reviews the exhibition Afro Supa Hero, on at the International Slavery Museum till 11th December.
John Owen reviews Phil Hayes exhibition of collages documenting the Liverpool music scene, which was held at Unit 51 on Jordan Street.
Dogstar Rose reviews the exhibition of the links between Liverpool and the Silver Screen, Reel Stories: Liverpool & The Silver Screen, on at the Museum of Liverpool.
Sandra Gibson reviews Nature’s Way, a selection of nature-based photographs by Liverpool photographers Colin Serjent and Jane Groves, held at The Egg Café.
Joe Coventry reviews the exhibition Liverpool Pubs – Paintings by Stephen Bower, held at the View Two Gallery.
jjSchaer reviews the exhibition on at the Bluecoat Arts Centre, Double Act: Art and Comedy.
‘Faces and Places’ is a new exhibition at Huyton Gallery by local artist Leslie Briggs.