Colin Serjent reviews the film The Lighthouse, directed by Robert Eggers and screening at Picturehouse.

Colin Serjent reviews the First World War film directed by Sam Mendes, 1917, showing at Picturehouse.

Colin Serjent reviews the film La Belle Epoque, directed and written by Nicolas Bedos and showing at Picturehouse from 22nd November.

Colin Serjent reviews the film Bait, directed by Mark Jenkin and shot on a 16mm camera using black and white Kodak film.

Colin Serjent reviews the new science fiction film directed by James Gray, Ad Astra, showing at Picturehouse from 20th September.

Colin Serjent reviews the documentary film For Sama, which tells the story of 26-year old female Syrian filmmaker Waad al-Kateab who filmed her life through five years of the uprising in Aleppo.

Colin Serjent reviews the new Pedro Almodovar film Pain and Glory, showing at Picturehouse and starring Antonio Banderas as a film director looking back at his life.

Colin Serjent reviews Marianne & Leonard: Words Of Love, the documentary film directed by Nick Broomfield about the love story between Leonard Cohen and Marianne Ihlen.

Colin Serjent reviews the documentary film Varda by Agnès in which the pioneer of the French New Wave, Agnes Varda, looks back at her own career.

Colin Serjent reviews the documentary film Apollo 11, which marks the 50th anniversary of the Apollo 11 moon launch, showing at Picturehouse from 21st June.

Colin Serjent reviews the Icelandic film Woman At War, showing at Picturehouse from 3rd May.

Colin Serjent reviews the film Everybody Knows, directed by Asghar Farhadi, starring Penelope Cruz and Javier Bardem and screening at Picturehouse.

Colin Serjent reviews the Swedish film Border, directed by Ali Abbasi and showing at Picturehouse till 14th March.

Colin Serjent reviews the Lebanese film Capernaum, directed by Nadine Labaki and screening at Picturehouse from 22nd February.

Colin Serjent reviews the South Korean film directed by Lee Chang-Dong, Burning, showing at Picturehouse.

Colin Serjent reviews the film Black 47, directed by Lance Daly and set in Ireland during the Great Famine.

Colin Serjent reviews Faces Places, the documentary film directed by Agnes Varda and French installation artist and photographer JR, showing at Picturehouse till 27th September.

Colin Serjent reviews the film Lucky about the spiritual journey of a ninety-year-old atheist, starring the late Harry Dean Stanton.

Colin Serjent reviews the film directed by Chloe Zhao, The Rider, screening at Picturehouse till 20th September.

Colin Serjent reviews the film Cold War, set against the background of the Cold War in the 1950’s in Poland, screening at Picturehouse till 13th September.

Colin Serjent reviews the Paraguayan drama film, The Heiresses, showing at Picturehouse till 16th August.

Colin Serjent reviews the documentary film Arcadia, directed by Paul Wright and crafted from over 100 years of archive footage with a soundtrack by Adrian Utley from Portishead and Will Gregory from Goldfrapp.

Colin Serjent reviews the Argentine period drama film directed by Lucrecia Martel, Zama, which screened at Picturehouse.

Colin Serjent reviews the debut feature by Xavier Legrand, Custody, screening at Picturehouse from 13th April.

Colin Serjent reviews the new film directed by Todd Haynes, Wonderstruck, showing at Picturehouse.

Colin Serjent reviews the film Ghost Stories, directed and co-written by Andy Nyman and Jeremy Dyson and showing at Picturehouse from 6th April.

Colin Serjent reviews Isle Of Dogs, the new stop-motion animation directed by Wes Anderson and on general release from 30th March.

Colin Serjent reviews the film Dark River, starring Ruth Wilson who returns to the family farm in the Yorkshire Dales.

Colin Serjent reviews the French film I Got Life! about a woman who refuses to wallow in self pity after a series of setbacks.

Colin Serjent reviews the film The Square, directed by Ruben Ostlund and screening at Picturehouse, from 16th March.

Colin Serjent reviews the thriller set in Cairo, The Nile Hilton Incident, showing at Picturehouse till 15th March.

Colin Serjent reviews the film Journey’s End, set during four days in the British trenches in France in the First World War, showing at Picturehouse till 8th February.

Colin Serjent reviews The Post, directed by Steven Spielberg and on general release from 19th January 2018.

Colin Serjent reviews the film Three Billboards Outside Ebbing, Missouri, showing at Picturehouse from 12th January.