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Misery Guts/Cherry
Ghost/By the Sea
, Wolstenholme Square
7th May 2010
Reviewed by
It’s not long after 8 pm and the Kazimier is well on the way to
capacity. Openers and Wirral four-piece By the Sea have been building
up quite a buzz around them, their gently uncoiling songs ebb out from
the stage like a Merseyside variant on Doves and the quieter moments of
'A Storm in Heaven' era Verve. Aside from the inevitable comparisons with
fellow Peninsula-dwellers The Coral, By the Sea act as a digest of Scouse/Wirral
sounds, their melodic shimmer reminiscent of Shack and The La’s,
without overstating the influence of any of the above. The penultimate
track however, driven by a looped bassline, lap-steel guitar and a Syd
Barrett-era Floyd vocal incantation offers a route that would be fascinating
if they decided to follow it further. The Bunnymen inflection present
in the group’s vocals is borne out by the closing cover of ‘Porpoise’,
trading in the former’s bare bones post punk for rippling guitars.
From the other side of Liverpool Bay, and ostensibly tonight’s
headliners, Southport’s Misery Guts (see photo left) make an impact
as soon as they hit the stage. The group have the unique visual hook of
being a four piece band with two nylon strung acoustic guitars front and
centre. The opening track sounds like Sufjan Steven’s prior to his
‘Fifty States Project’, backed up with a full rhythm section.
The group avoid the predictable format of acoustic strummers sat down
on stools, with the strident vocals of frontman David Hirst well to the
fore. 'The World Turns’ - the fourth track off the forthcoming ‘More
Human Than Human’ EP - shows off the band’s dynamics by breaking
down into a nylon strung led passage before picking up momentum again
with the rest of the group.
Switching to electric lead guitar halfway through thankfully doesn’t
prompt any cries of ‘Judas!’, and gives the group a Byrdsian
chime. ‘If You Ever’, the penultimate track of the set cheekily
segues into The La’s totemic ‘There She Goes’, to cheers
of recognition from the audience. A brave move, as it proves how their
own track stands up beside it.
By the time Cherry Ghost take to the stage to launch into new song ‘Black
Fang’, the floor is heaving. ‘Only a Mother’ follows,
its expansive sound evoking peak form Coldplay. Showcasing tracks from
their long-awaited second album, the band power through nine new songs
in a fifteen strong set. Throwing one of their biggest hits, 'Thirst For
Romance' in third, the band progress through the new LP with aplomb. Possible
new single contender ‘We Sleep on Stones’ is dropped into
the set late on, followed by the anthemic - and Ivor Novello award-winning
- ‘People Help the People’.
Concluding with a cover of The Cars’ ‘Drive’ and new
track ‘Luddite’ shortly after midnight, the group’s
endorsement from sources as disparate as James Dean Bradfield and Doves’
Jimi Goodwin is understandable. The bands on tonight’s bill taken
as a whole complement each other perfectly, as the various groups’
influences, new and old (Cherry Ghost are currently touring with The Coral
and Doves) offer up a uniquely North by Northwest take on the current
state of indie music.
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