Finvola Dunphy reviews the musical Paint Your Wagon, performed by the Everyman Company and at the Everyman Theatre until 14 July.
Finvola Dunphy reviews the theatrical production of The Kite Runner, based on Khaled Hosseini’s bestselling novel and performed at Liverpool Playhouse.
Colin Serjent reviews The Wedding, a dreamlike spectacle presented by Gecko, on at the Liverpool Playhouse till 24th February.
‘Cammell Laird’s 37 the Truth’ tells the story of the battle for jobs, livelihoods and communities fought on the Mersey in 1984, brought to The Casa by Mike Howl.
Finvola Dunphy reviews the production by Liverpool Network Theatre of Jean-Paul Sartre’s classic piece of existentialist theatre, ‘No Exit’ (Huis Clos).
Finvola Dunphy reviews the adaption of the novel by E. M. Forster, A Passage to India, performed at the Liverpool Playhouse.
Rob Harrison reviews A Pacifist’s Guide To The War On Cancer, a musical about the big C which seeks to define what it is and what it means to sufferers.
Colin Serjent reviews the pantomime Mother Goose, performed by Burjesta Theatre at The Casa till 13th January 2018.
Colin Serjent reviews the play Baskerville: A Sherlock Holmes Mystery, on at the Liverpool Playhouse till 13th January 2018.
Colin Serjent reviews the play People, Places and Things which was on at the Liverpool Playhouse till 18th November.
Darren Guy and Bobbi review the production of Oliver! performed by Birkenhead Operatic Society Trust at the Royal Court Theatre.
Leslie Salome Soto Santillan reviews the one-man play, Me & Robin Hood, which was performed at the Liverpool Everyman.
Leslie Salome Soto Santillan reviews the adaption of Jules Verne’s Around the World in 80 Days, performed at the Liverpool Playhouse.
Finvola Dunphy reviews the play Man To Man, about a woman forced to take on her husband’s identity in order to survive Nazi Germany, performed at the Liverpool Everyman.
Finvola Dunphy reviews the play Revolution, Burjesta Theatre’s production to commemorate the 100th anniversary of the Russian Revolution, on at the Casa til 25th October.
Colin Serjent reviews the production Golem, on at the Liverpool Playhouse till 21st October.
Finvola Dunphy reviews the play performed at the Liverpool Playhouse, The Suitcase, set in 1950’s South Africa at the time of institutionalised segregation.
Finvola Dunphy reviews An Evening Of Franca Rame and Dario Fo, presented by Burjesta Theatre at the Unity Theatre.
Pete O’Neill reviews the play Momentos which was performed at the Unity Theatre.
Sandra Gibson reviews the play The Punter, written by Debbie Morgan and performed at The Cornerstone Theatre.