Joe Coventry reviews the two volumes of Angry Alan comic, as originally featured in Nerve Magazine.
Finvola Dunphy reviews the adaptation of Charles Dickens’ Hard Times, presented by Northern Broadsides at the Liverpool Playhouse.
Colin Serjent reviews the film Dark River, starring Ruth Wilson who returns to the family farm in the Yorkshire Dales.
Colin Serjent reviews the French film I Got Life! about a woman who refuses to wallow in self pity after a series of setbacks.
Joe Coventry reviews The Necks, Centrifuge and Shatner’s Bassoon at the Interactions Festival at the Capstone Theatre.
Joe Coventry reviews the exhibition of collages by Kate Fallon-Cousins, which is at the Egg Cafe until 18th April.
Joe Coventry reviews The Outsider – News From Nowhere, the new album by Liverpool composer and multi-instrumentalist Neil Campbell.
Joe Coventry reviews the book by Hugh Hollinghurst, Historic England: Liverpool, an illustrated history with photographs from the Historic England Archive and published by Amberley Press.
Colin Serjent reviews the film The Square, directed by Ruben Ostlund and screening at Picturehouse, from 16th March.
Rob Harrison reviews Twentytwo in Blue, the new album by New York band Sunflower Bean, out on March 23rd.
Colin Serjent reviews the thriller set in Cairo, The Nile Hilton Incident, showing at Picturehouse till 15th March.
Rob Harrison reviews the concert by East London five-piece folk band Stick In The Wheel at the Liverpool Philharmonic Music Room.
Rob Harrison reviews the concert by alternative country Americana duo The Handsome Family at Liverpool Leaf Cafe.
Lisa Worth reviews the exhibition by the Singh Twins, Slaves of Fashion, on at the Walker Art Gallery until 20th May.
Finvola Dunphy reviews the musical Paint Your Wagon, performed by the Everyman Company and at the Everyman Theatre until 14 July.
Finvola Dunphy reviews the theatrical production of The Kite Runner, based on Khaled Hosseini’s bestselling novel and performed at Liverpool Playhouse.
Joe Coventry reviews the Liverpool International Jazz Festival 2018 which included James Taylor, Aron Ghosh, Jason Robello, and Soft Machine.
Sandra Gibson reviews the exhibition of artwork at the Tate Liverpool by John Piper, who is regarded as a pioneer of the British modernist movement in the Thirties.
Review of Rob Newman on the Total Eclipse of Descartes Tour at the Laughter House in Liverpool.
Colin Serjent reviews The Wedding, a dreamlike spectacle presented by Gecko, on at the Liverpool Playhouse till 24th February.