Colin Serjent reviews the Swedish film Border, directed by Ali Abbasi and showing at Picturehouse till 14th March.
Finvola Dunphy reviews Macbeth, presented by Daniel Taylor Productions at the Epstein Theatre till March 16th.
Rob Harrison reviews the gig by Valeras, supported by Indica Gallery and Shards at Phase 1.
Rob Harrison reviews White Denim, the four-piece rock band from Austin, Texas, on tour at the Liverpool 02 Academy.
The Screaming Target returns to review the latest releases to be found in the Nerve office.
Colin Serjent reviews the Lebanese film Capernaum, directed by Nadine Labaki and screening at Picturehouse from 22nd February.
Rob Harrison reviews Punk in the Picton, the Punk Rock 1976-1978 Exhibition on at Liverpool Central Library till 3rd March 2019.
The Screaming Target returns, this month delving into the world of Alt-Country and reviewing the latest releases to be found in the Nerve office.
Colin Serjent reviews the South Korean film directed by Lee Chang-Dong, Burning, showing at Picturehouse.
Jennifer Walker reviews the comedy Yellow Breck Road, on at The Royal Court until March 2nd.
Rob Harrison reviews Flatlands Rising, the second EP by Liverpool acoustic duo Geoghegan Jackson.
Finvola Dunphy reviews Marilyn, the one-woman play produced by Breakthrough Theatre about Marilyn Monroe and performed at the Casa.
Nick Daly reviews the period comedy-drama film The Favourite, directed by Yorgos Lanthimos and showing at Picturehouse from 3rd January.
Rob Harrison reviews the gig at The Arts Club by Sports Team, The Strange Collective and headliners Hinds, all the way from Madrid.
Jennifer Walker reviews the Royal Court’s new Christmas show The Scouse Cinderella, written by Kevin Fearon and on until 19th January.
Colin Serjent reviews the book Liverpool’s Military Heritage, written by local author Ken Pye and published by Amberley Publishing.
Darren Guy reviews the film Widows, directed by Steve McQueen and based on the Lynda La Plante series from the 1980s.
Joe Coventry reviews the concert at the Capstone Theatre by Anglo-Scandinavian three-piece jazz band Phronesis, performing music from their recently-released album, We Are All.
Joe Coventry reviews the book by Anthony Dawson, The Rainhill Trials, when, in October 1829, a competition was held to find the best form of motive power for the Liverpool and Manchester Railway and travel would never be the same again.
Joe Coventry reviews the book Wirral From Old Photographs, written by Ian Collard and featuring 180 photographs charting the changing nature of the Wirral peninsula over the last century.