Colin Serjent reviews the film Green Room, directed by Jeremy Saulnier and showing at Picturehouse at FACT from May 13th.
Rob Harrison reviews the gig by Elevant, False Advertising and Pocket Apocalypse at the Liverpool Buyers Club.
Michael Kazich reviews the play Jumping The Barriers, performed by The Courtyard Players.
Rob Harrison reviews the launch of the new album by Only Child, The Whale Finds Its Way To Hope Street.
Sharon Riley reviews the poetry evening based on the Unfold exhibition at FACT which was held at Jacaranda Records on Slater Street.
Sandra Gibson reviews Nature’s Way, a selection of nature-based photographs by Liverpool photographers Colin Serjent and Jane Groves, held at The Egg Café.
Joe Coventry reviews the exhibition Liverpool Pubs – Paintings by Stephen Bower, held at the View Two Gallery.
jjSchaer reviews the exhibition on at the Bluecoat Arts Centre, Double Act: Art and Comedy.
Colin Serjent reviews the film set in the death camps of Auschwitz-Birkenau in 1944, Son Of Saul, showing at Picturehouse.
Chumki Banerjee reviews Sandip Roy’s debut novel, Don’t Let Him Know.
Mandy Vere, from News from Nowhere, rounds up her recommended reads.
Colin Serjent reviews the play Going Viral, which was performed at the Unity Theatre.
Colin Serjent reviews the film King Jack, which was screened at Picturehouse.
Colin Serjent reviews the play The Lamellar Project, performed at the Unity Theatre.
Rob Harrison does a roundup of the tunes that are buzzing round the Nerve office at the moment.
Colin Serjent reviews the film I Am Belfast, screening at Picturehouse.
Colin Serjent reviews the film Dheepan, which screened at Picturehouse.
‘Faces and Places’ is a new exhibition at Huyton Gallery by local artist Leslie Briggs.
Colin Serjent reviews the film Midnight Special, screening at Picturehouse from April 8th.
Colin Serjent reviews the film Couple in a Hole, screening at Picturehouse from April 8th 2016.