Colin Serjent reviews the film, The Measure of a Man, screening at Picturehouse.
Colin Serjent reviews the play Observe The Sons of Ulster Marching Towards the Somme, on at the Playhouse till 25th June.
Tom Calderbank reviews the Art of Reggae Exhibition, on at Constellations, 35-39 Greenland Street until 15th June.
Colin Serjent reviews the play set in a not so far off world where a drought is causing devastation, Urinetown, which was performed at the Unity Theatre.
Joe Coventry reviews the Liverpool Arts Open Exhibition, on at Editions Gallery till 18th June 2016.
Tori Hywel-Davies reviews the book Deadly Deceit, by Jean Harrod, the second book in a series that launched Jessica Turner into the limelight in ‘Deadly Diplomacy’ in 2015.
Colin Serjent reviews the documentary film, The Divide, which screened at Picturehouse.
Colin Serjent reviews the music and poetry event held to launch the latest issue of Nerve Magazine, held in the Courtroom Cafe by the Small Cinema.
JJ Schaer reviews the exhibition Afro Supa Hero, on at the International Slavery Museum till 11th December.
Colin Serjent reviews the film The Sky Trembles and the Earth is Afraid and the Two Eyes are not Brothers, screened at the Picturehouse.
Ed Gommon reviews Mouse – The Persistence of an Unlikely Thought, the new show by Daniel Kitson, performed at the Liverpool Everyman.
Colin Serjent reviews the film Arabian Nights: Three Volumes, a rambling odyssey through present day austerity-hit Portugal, screened at Picturehouse in May 2016.
Minnie Stacey reviews There Will Be Cherries, a poetry anthology by Mandy Coe.
Colin Serjent reviews the film written and directed by Laurie Anderson, Heart of a Dog, shown at Picturehouse from 20th May 2016.
Ritchie Hunter reviews the film The Happy Lands, shown at the Plaza to mark the 90th Anniversary of the General Strike.
Darren Guy reviews Mustang, the debut film by Turkish/French director and writer Deniz Gamze Ergüven.
Colin Serjent reviews the play The Complete Deaths which was performed at the Playhouse Theatre and features all the on-stage deaths in Shakespeare’s works.
John Owen reviews Phil Hayes exhibition of collages documenting the Liverpool music scene, which was held at Unit 51 on Jordan Street.
Dogstar Rose reviews the exhibition of the links between Liverpool and the Silver Screen, Reel Stories: Liverpool & The Silver Screen, on at the Museum of Liverpool.
Joe Coventry reviews Pleasure: A Chamber Opera, presented by Opera North, Royal Opera and Aldbergh Music at the Liverpool Playhouse.