Colin Serjent reviews the French film Things To Come, written and directed by Mia Hansen-Løve.
Colin Serjent reviews the local history book Liverpool Cowkeepers, written by Dave Joy and published by Amberley Press.
JJ Schaer reviews Jarvis Cocker’s 20 Golden Greats exhibition, on at The Gallery Liverpool till 25th September.
Colin Serjent reviews the film Hell Or High Water, directed by David Mackenzie and showing at Picturehouse from 9th September.
Sarah Smith reviews The Fusion Festival, held at Otterspool Promenade and featuring names such as Olly Murs, Busted and The Vamps.
Pete O’Neill reviews Matt Ford’s album, By The Deathbed, released on August 19th on the Crisis Ridden Label.
Gayna Rose Madder reviews Anonymous, a photographic exhibition by David Hynes on at the Egg Cafe till 18th September.
Colin Serjent reviews the new film directed by Pedro Almodovar, Julieta, showing at Picturehouse.
Colin Serjent reviews the book written by Anthony Dawson, The Liverpool & Manchester Railway, published by Amberley Publishing.
Colin Serjent reviews the film War Dogs, showing at Picturehouse from August 26th.
Sandra Gibson reviews the John Moores Painting Prize 2016, which is at the Walker Art Gallery from 9th July till 27th November.
Tom Bottle reviews the book Liverpool In 50 Buildings, written by Ian Collard and published by Amberley Publishing.
Colin Serjent reviews the documentary film Tickled, which looks at the world of competitive endurance tickling and is showing at Picturehouse till August 25th.
Lynda-Louise Tomlinson reviews 7, the new EP by Liverpool based urban indie band Futurejack.
Colin Serjent reviews the film Valley Of Love, starring Gerard Depardieu and Isabelle Huppert and showing at Picturehouse till August 18th.
Colin Serjent reviews the new film directed by Todd Solondz, Wiener-Dog, showing at Picturehouse.
Colin Serjent reviews the play RIP Mr Shakespeare, performed by Hand In Hand Theatre Company
at St George’s Hall.
Colin Serjent reviews the documentary film Bobby Sands: 66 Days, showing at Picturehouse.
Colin Serjent reviews the Danish film Men and Chicken, showing at Picturehouse.
Francesca Middleton reviews the film Trinta, the story of Joãozinho Trinta, the acclaimed artistic director of the Samba Schools of the Rio Carnival.