Elle (18)
Colin Serjent reviews the film directed by Paul Verhoeven, Elle, showing at Picturehouse from 10th March.
Colin Serjent reviews the film directed by Paul Verhoeven, Elle, showing at Picturehouse from 10th March.
Colin Serjent reviews the film directed by Kelly Reichardt, Certain Women, showing at Picturehouse, from 3rd March.
Colin Serjent reviews the film 20th Century Women, showing at Picturehouse from 17th February.
Colin Serjent reviews the film Love True, showing at Picturehouse from 14th February.
Colin Serjent reviews the film directed by Denzel Washington, Fences, showing at Picturehouse from 10th February.
Colin Serjent reviews the film Toni Erdmann, showing at Picturehouse, from 3rd February.
Colin Serjent reviews Denial, a film about the American academic Deborah Lipstadt who was sued by Holocaust denier David Irving for calling him a liar.
Darren Guy reviews the film T2 Trainspotting which reunites the original cast twenty years after the original film, now showing at Picturehouse.
Nick Daly reviews the film directed by Damien Chazelle, La La Land, screening at Picturehouse.
Colin Serjent reviews the film Manchester By The Sea, screening at Picturehouse from 13th January.
Colin Serjent reviews the film by veteran Chilean director Alejandro Jodorowsky, Endless Poetry, which screened at Picturehouse.
Colin Serjent reviews the film The Eagle Huntress, screening at Picturehouse from 16th December.
Colin Serjent reviews the documentary film Life, Animated, showing at Picturehouse from 9th December.
Colin Serjent reviews the film Mexican film Desierto, shown at Picturehouse as part of the Discover Tuesday series of films.
Nick Daly reviews the sci-fi film Arrival, on general release from November 11th.
Sue Hunter reviews Ken Loach’s film I, Daniel Blake, and defends it against its critics.
Redskye reviews Ken Loach’s film about the benefits system, I, Daniel Blake, showing at Picturehouse.
Colin Serjent reviews the film The Pursuit Of Silence, a documentary about the importance of silence, showing at Picturehouse from November 1st.
Colin Serjent reviews the film American Honey, showing at Picturehouse from 14th October.
Colin Serjent reviews the film The Girl On The Train, showing at the Picturehouse from 7th October.
Colin Serjent reviews the Iranian horror film Under The Shadow, screening at Picturehouse till October 6th.
Colin Serjent reviews the film Little Men, screening at Picturehouse from September 23rd.
Colin Serjent reviews the New Zealand film, Hunt For The Wilderpeople, screening at Picturehouse from September 23rd.
Colin Serjent reviews the film Captain Fantastic, screening at Picturehouse from September 16th.
John Owen reviews the documentary film presented and narrated by George Galloway, The Killing$ Of Tony Blair.
Lynda-Louise Tomlinson reviews the documentary film about The Beatles, Eight Days A Week – The Touring Years, directed by Ron Howard and screening at FACT.
Colin Serjent reviews the French film Things To Come, written and directed by Mia Hansen-Løve.
Colin Serjent reviews the film Hell Or High Water, directed by David Mackenzie and showing at Picturehouse from 9th September.
Colin Serjent reviews the new film directed by Pedro Almodovar, Julieta, showing at Picturehouse.
Colin Serjent reviews the film War Dogs, showing at Picturehouse from August 26th.
Colin Serjent reviews the documentary film Tickled, which looks at the world of competitive endurance tickling and is showing at Picturehouse till August 25th.
Colin Serjent reviews the film Valley Of Love, starring Gerard Depardieu and Isabelle Huppert and showing at Picturehouse till August 18th.
Colin Serjent reviews the new film directed by Todd Solondz, Wiener-Dog, showing at Picturehouse.
Colin Serjent reviews the documentary film Bobby Sands: 66 Days, showing at Picturehouse.
Colin Serjent reviews the Danish film Men and Chicken, showing at Picturehouse.
Francesca Middleton reviews the film Trinta, the story of Joãozinho Trinta, the acclaimed artistic director of the Samba Schools of the Rio Carnival.
Darren and Bobbi review Steven Spielberg’s adaption of Roald Dahl’s book, The BFG, showing at Picturehouse.
Colin Serjent reviews the documentary film The Fall, about the athletes Zola Budd and Mary Decker who famously collided on the track at the Los Angeles Olympics in 1984.
John Owen reviews the series Secret Agent, written by Joseph Conrad and shown on BBC1.
Colin Serjent reviews the documentary film showing at Picturehouse, Notes On Blindness, about John Hull who kept an audio diary when he lost his sight.
Colin Serjent reviews the Thai film Cemetery of Splendour, screening at Picturehouse.
Colin Serjent reviews the documentary film, Fire at Sea, about refugees and the inhabitants of the island of Lampedusa, screening at Picturehouse.
Colin Serjent reviews the film Chicken, screening at Picturehouse.
Colin Serjent reviews the film Embrace of the Serpent, screening at Picturehouse till June 16th.
Colin Serjent reviews the film, The Measure of a Man, screening at Picturehouse.
Colin Serjent reviews the documentary film, The Divide, which screened at Picturehouse.
Colin Serjent reviews the film The Sky Trembles and the Earth is Afraid and the Two Eyes are not Brothers, screened at the Picturehouse.
Colin Serjent reviews the film Arabian Nights: Three Volumes, a rambling odyssey through present day austerity-hit Portugal, screened at Picturehouse in May 2016.
Colin Serjent reviews the film written and directed by Laurie Anderson, Heart of a Dog, shown at Picturehouse from 20th May 2016.
Ritchie Hunter reviews the film The Happy Lands, shown at the Plaza to mark the 90th Anniversary of the General Strike.
Darren Guy reviews Mustang, the debut film by Turkish/French director and writer Deniz Gamze Ergüven.
Colin Serjent reviews the film Green Room, directed by Jeremy Saulnier and showing at Picturehouse at FACT from May 13th.
Colin Serjent reviews the film set in the death camps of Auschwitz-Birkenau in 1944, Son Of Saul, showing at Picturehouse.
Colin Serjent reviews the film King Jack, which was screened at Picturehouse.
Colin Serjent reviews the film I Am Belfast, screening at Picturehouse.