Ritchie Hunter reviews the exhibition Red October People’s Gallery, public art with a revolutionary message, on display on Temple Street till 20th December.
Leslie Salome Soto Santillan reviews the exhibition In The Peaceful Dome, part of the events to celebrate the Bluecoat’s 300th anniversary year.
Sandra Gibson reviews the exhibition of work by Roy Lichtenstein which is at the Tate Liverpool till 17th June 2018.
Sandra Gibson reviews the exhibition at Tate Liverpool of the photographs of August Sander and the paintings and etchings of Otto Dix, Portraying a Nation: Germany 1919 – 1933.
Ritchie Hunter reviews the exhibition, Liverpool: A City of Protest, on at Constellations till 13th August.
Steve Lamb reviews the exhibition of photography Open 3: Affecting Change, on at the Open Eye Gallery till 17th September.
Samera Thalen reviews the exhibition How Much Of This Is Fiction, on at FACT till 21st May.
Samera Thalen reviews A Glimpse of Sunshine, the exhibition of work by Katarina Avotina on at the Egg Cafe till 16th March.
Ashley McGovern reviews the Jerwood Photoworks Awards 2015 exhibition, on show at the Open Eye Gallery until 18th December.
Ashley McGovern reviews KAPUT, the exhibition by Benedict Drew now on show at the Walker Art Gallery till 26th February 2017.
Ashley McGovern reviews the exhibition of linocuts by Picasso, which is at the Lady Lever Art Gallery until 8th January 2017.
Ashley McGovern reviews the photography exhibition by Jane MacNeil, on at Bold Street Coffee until 28th October.
JJ Schaer reviews the exhibition Casting Seeds, a retrospective of the work of Jamie Reid, on at The Florrie until 18th October.
JJ Schaer reviews Jarvis Cocker’s 20 Golden Greats exhibition, on at The Gallery Liverpool till 25th September.
Gayna Rose Madder reviews Anonymous, a photographic exhibition by David Hynes on at the Egg Cafe till 18th September.
Sandra Gibson reviews the John Moores Painting Prize 2016, which is at the Walker Art Gallery from 9th July till 27th November.
JJ Schaer reviews the exhibition Glitterarti / Banned In Birkenhead, which was banned from Birkenhead Visitors Park and then from Art Hub 51 due to complaints from the general public.
Joe Coventry reviews the Liverpool Biennial of Contemporary Art, taking in The Bluecoat, The Tate, the Royal Insurance Building, the Open Eye Gallery, the ABC cinema on Lime Street and the Cain’s Brewery.
JJ Schaer reviews Jimmy Cauty’s Aftermath Dislocation Principle Riot Tour, which is currently taking place in a shipping container behind The Florrie in Liverpool.
Tom Calderbank reviews the Art of Reggae Exhibition, on at Constellations, 35-39 Greenland Street until 15th June.