Rob Harrison reviews Punk in the Picton, the Punk Rock 1976-1978 Exhibition on at Liverpool Central Library till 3rd March 2019.
Tom Bottle reviews the exhibition of photographs by John Davies, Saving Calderstones – Trees Under Threat, which was at the Output Gallery on Seel Street.
Sandra Gibson reviews the John Moores Painting Prize 2018, which is at the Walker Art Gallery until 18th November.
Joe Coventry reviews the Liverpool Biennial 2018 Festival Of Contemporary Art, which runs to 28th October.
Mostyn Jones reviews the exhibition at the Open Eye Gallery, Snapshot to WeChat: A Migration of Identity, part of China Dream, a series of events exploring the city’s historical links with the Chinese community.
Joe Coventry reviews the exhibition of collages by Kate Fallon-Cousins, which is at the Egg Cafe until 18th April.
Lisa Worth reviews the exhibition by the Singh Twins, Slaves of Fashion, on at the Walker Art Gallery until 20th May.
Sandra Gibson reviews the exhibition of artwork at the Tate Liverpool by John Piper, who is regarded as a pioneer of the British modernist movement in the Thirties.
Joe Coventry reviews Two, the exhibition by Pamela Holstein and Lucy Cecilia Pickavance at the Egg Cafe till 4th March.
Joe Coventry reviews Iconic, the exhibition of prints by Andrea Taylor at Headspace at the Egg Café until 10th December.
Minnie Stacey reviews People Are People, the art exhibition by Andy Smith on at The Arts Hub till 12th November.
Ritchie Hunter reviews the exhibition Red October People’s Gallery, public art with a revolutionary message, on display on Temple Street till 20th December.
Leslie Salome Soto Santillan reviews the exhibition In The Peaceful Dome, part of the events to celebrate the Bluecoat’s 300th anniversary year.
Sandra Gibson reviews the exhibition of work by Roy Lichtenstein which is at the Tate Liverpool till 17th June 2018.
Sandra Gibson reviews the exhibition at Tate Liverpool of the photographs of August Sander and the paintings and etchings of Otto Dix, Portraying a Nation: Germany 1919 – 1933.
Ritchie Hunter reviews the exhibition, Liverpool: A City of Protest, on at Constellations till 13th August.
Steve Lamb reviews the exhibition of photography Open 3: Affecting Change, on at the Open Eye Gallery till 17th September.
Samera Thalen reviews the exhibition How Much Of This Is Fiction, on at FACT till 21st May.
Samera Thalen reviews A Glimpse of Sunshine, the exhibition of work by Katarina Avotina on at the Egg Cafe till 16th March.
Ashley McGovern reviews the Jerwood Photoworks Awards 2015 exhibition, on show at the Open Eye Gallery until 18th December.