Colin Serjent reviews the film 20th Century Women, showing at Picturehouse from 17th February.
Colin Serjent reviews the film Love True, showing at Picturehouse from 14th February.
Colin Serjent reviews the film directed by Denzel Washington, Fences, showing at Picturehouse from 10th February.
Colin Serjent reviews the film Toni Erdmann, showing at Picturehouse, from 3rd February.
Colin Serjent reviews Denial, a film about the American academic Deborah Lipstadt who was sued by Holocaust denier David Irving for calling him a liar.
Darren Guy reviews the film T2 Trainspotting which reunites the original cast twenty years after the original film, now showing at Picturehouse.
Colin Serjent reviews the play Night Light, performed at the Capstone Theatre.
Nick Daly reviews the film directed by Damien Chazelle, La La Land, screening at Picturehouse.
Rob Harrison reviews the concert by Scottish singer-songwriter James Yorkston, who played at The Magnet.
Colin Serjent reviews the film Manchester By The Sea, screening at Picturehouse from 13th January.
Colin Serjent reviews the film by veteran Chilean director Alejandro Jodorowsky, Endless Poetry, which screened at Picturehouse.
Colin Serjent reviews the film The Eagle Huntress, screening at Picturehouse from 16th December.
Rob Harrison does a roundup of the tunes that are buzzing round the Nerve office at the moment.
Pete O’Neill reviews Spanner in the Works, the eighth studio album by Beans on Toast, released on Xtra Mile Recordings.
Colin Serjent reviews the documentary film Life, Animated, showing at Picturehouse from 9th December.
Kevin Lea reviews the event held at the Atrium Cafe to launch On Thin Ice, a book of poetry by Paul Cosgrove.
Ashley McGovern reviews the Jerwood Photoworks Awards 2015 exhibition, on show at the Open Eye Gallery until 18th December.
Ashley McGovern reviews KAPUT, the exhibition by Benedict Drew now on show at the Walker Art Gallery till 26th February 2017.
Pete Clarke reviews the production of Doctor Faustus, performed by Brimstone Theatre at The Black-E.
Colin Serjent reviews the play Still Here, about effects of dementia on the sufferers as well as on the relatives and friends, which was performed at The Casa.