Colin Serjent

Bait (15)

Colin Serjent reviews the film Bait, directed by Mark Jenkin and shot on a 16mm camera using black and white Kodak film.

For Sama (18)

Colin Serjent reviews the documentary film For Sama, which tells the story of 26-year old female Syrian filmmaker Waad al-Kateab who filmed her life through five years of the uprising in Aleppo.

Pain and Glory (15)

Colin Serjent reviews the new Pedro Almodovar film Pain and Glory, showing at Picturehouse and starring Antonio Banderas as a film director looking back at his life.

Apollo 11 (U)

Colin Serjent reviews the documentary film Apollo 11, which marks the 50th anniversary of the Apollo 11 moon launch, showing at Picturehouse from 21st June.

Africa Oye 2019

Colin Serjent and his camera visited Africa Oye, the UK’s biggest live festival of African music and culture, which took place in Sefton Park over the weekend of 22nd and 23rd June.

Faces Places (12)

Colin Serjent reviews Faces Places, the documentary film directed by Agnes Varda and French installation artist and photographer JR, showing at Picturehouse till 27th September.

Lucky (15)

Colin Serjent reviews the film Lucky about the spiritual journey of a ninety-year-old atheist, starring the late Harry Dean Stanton.

Cold War (15)

Colin Serjent reviews the film Cold War, set against the background of the Cold War in the 1950’s in Poland, screening at Picturehouse till 13th September.

Arcadia (15)

Colin Serjent reviews the documentary film Arcadia, directed by Paul Wright and crafted from over 100 years of archive footage with a soundtrack by Adrian Utley from Portishead and Will Gregory from Goldfrapp.

Zama (15)

Colin Serjent reviews the Argentine period drama film directed by Lucrecia Martel, Zama, which screened at Picturehouse.

The Last Ship

Colin Serjent reviews the musical The Last Ship, directed by Lorne Campbell and with music and lyrics by Sting, performed at the Liverpool Playhouse till 14th April.